A. P. Drama
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Welcome to AP Drama! I am truly excited about this course, and I hope you are too. This semester we will be grappling with essential questions and reading plays that answer, ponder, or continue these questions, ranging from "Why do families fight??" to "Why do people fall in love?" We will be reading a variety of twentieth-century drama, linked by numerous themes and motifs, and a little Shakespeare for contrast. Through our inquiry, you will develop advanced analytical skills to enrich your understanding of drama, preparing you for college literature courses and a lifetime of reading satisfaction. We will formally and informally prepare for the A. P. exam, which may earn you college credit depending on your score and the policies of your college. This overview is a working plan for the third quarter and is subject to changes in due dates, assignments, or readings.

I have high expectations for this class, as I do for all of my classes. This class, as an A. P. class, will be taught at a college level; you are expected to conduct yourself accordingly. What I expect, both from myself and from you: a solid work ethic, active and appropriate participation, cooperation with classmates, a strong sense of personal commitment and responsibility for one’s education, positive thinking, and tenacity in pursuit of intellectual greatness. If you are not prepared to read, write, and think in great quantities, this class will be difficult for you.

Please speak up if you have any questions about these policies or those that follow. There is always a reason for everything we do in class, so please ask if at any time that reason isn’t clear to you.

I look forward to a challenging and rewarding semester for all of us!

Welcome     Texts      Policies      Requirements     Quarter Schedule        
                                                                               

Course Readings: (click on the title or author for general links or go to Current Topics and Links)

A Raisin in the Sun Lorraine Hansberry 
Hamlet Shakespeare
The Crucible Arthur Miller 
A Streetcar Named Desire Tennessee Williams

The Member of the Wedding Carson McCullers 
The Children’s Hour Lillian Hellman 
The Women Clare Boothe Luce 
Uncommon Women and The Heidi Chronicles Wendy Wasserstein 
M. Butterfly David Henry Hwang 
Fences August Wilson 
Waiting for Godot Samuel Beckett 
Rosencrantz and Guildenstern. . . Tom Stoppard 

Wit Margaret Edson

supplemental readings and handouts

 

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Welcome     Texts      Policies      Requirements     Quarter Schedule        
                                                                                   

Course Policies:

KEEP ALL WORK! You will need it for later assignments.

All work must be typed.

The Elements of Style: It’s not just for tenth grade anymore. Learn it, use it, and save us lots of time and aggravation.

Absences are your responsibility, not mine. Please see me to make up work or find out what you’ve missed; I will not hunt you down. Please also tell me when you know you will be absent. Absence is not an excuse for turning in major assignments late. Please turn in all work on or before the due date, whether you are here or not, via friend, parent, email, or carrier pigeon. If you are absent on a major due date and want me to accept your paper late, you must have a note from a parent.

Late work will lose one full grade (10 points) per day of lateness, up to 20 points. Assignments are due at the beginning of class. Assignments turned in later on the day they are due will lose five points. Please see me in advance for extensions if needed or if you have several assignments due on the same day. I am far more lenient when you talk with me in advance. Late essays may not be revised for a higher grade (see below). You are entitled to one (1) free computer/technical emergency that will buy you an extra day, free of penalty, on one assignment.

Email/voicemail is to be used judiciously. If you can’t make it to school on a due date, you can email your assignment as an attachment (Microsoft Word is best, otherwise Clarisworks). Please do not cut and paste! It messes with the spacing and margins and makes your work look sloppy! If you will be absent, email or leave a message in my voicemail (call the school and ask to be connected to it, or press 315 when you get the school’s message).

Meetings. Occasionally I will ask you to come see me, or you may need to do so on your own initiative. I’ll be most available periods 5 and 7, though others are possible. If you want to be sure I’ll be in my office, make an appointment.

My pet peeves: lateness to class, late assignments, rudeness, bigotry, random inappropriate comments in discussion, not telling me something I need to know.

I appreciate people who say thank you, open-mindedness, positive attitudes, balanced time management, well-rested students, a sense of perspective.

Grades are not as important to me as they are to many of you. It’s important to me that you learn in this class; your grade will be based on the skill you exhibit in that particular assignment, which may or may not reflect how much you’re actually learning (you probably learn more from revising a C paper than an A one, for instance). In order to keep both you and me focused on your learning rather than your grade, you will have assignments that are "ungraded" in the traditional sense, meaning that I will write comments and give you credit for the work but not a grade.

You will have the opportunity to revise each essay once, to improve your grade and to learn more. The new grade will be averaged with the old grade. Please remember, though, that it’s more efficient to do your best work the first time out instead of falling back on this policy to dig you out of a hole.

In general, if you earn an A from me, it will be because you have done truly exceptional work that brings in fresh ideas or perspectives. B’s signify that you are completing assignments adequately but are lacking an element of control, depth, risk, or clarity that would give your work a needed edge. C’s mean that you have completed the work, but it is seriously lacking key concepts, thought, or effort. D’s are reserved for work that is done with little effort on your part, usually at the last minute. F’s are usually earned on poor quizzes or late papers. It’s rare that an essay would earn an F, as I believe you really have to try to get an F. If you’ve actually written an essay, you’re not trying hard enough to fail.

If you have questions or concerns, please ask me now or at any time in the future. Please ask if you don’t know why we’re doing something or if you have a better idea.

I expect each of you to make a solid, good faith effort to do your best in this class (as I expect the same from myself). I know, however, that this class is just one of many aspects in your life so please come talk to me if something is preventing you from doing your best work.

Grades (subject to change):

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Welcome     Texts      Policies      Requirements     Third Quarter Schedule        
                                                                                   


Course Requirements:

Weekly journals, one page typed, due every week, rain or shine. This basically consists of two parts: what you think about what you read, and why you think that. This will help us communicate about your work and keep in touch on a weekly basis. Journals are ungraded in the traditional sense. However, for each missing journal, your quarter grade will lose one point. Late journals lose a half point. 

One out of class essay (OOCE) per month, thesis and topic determined by you, analyzing a play read in class that month. (This will be due toward the end of each month, but early papers are appreciated and often get more of my attention.)

One out of class essay per quarter, analyzing a play you have read independently (i.e., one that is not on the syllabus, that you have not read for any other class). This play should be of academic caliber—please see me if you don’t know what that means. Thesis and topic determined by you, due toward the end of the quarter, early papers gladly accepted.

One in class essay (ICE) roughly every other week, either AP practice (ungraded) or related to class (graded). We’ll do peer review and other kinds of work with these. "Ungraded" essays receive participation points; slacker essays will suffer.

Weeks that we don’t do ICE’s, we will usually have writing workshop. This may focus on playwriting, essay writing, or other kinds of writing that are relevant and appropriate.

Reading quizzes, approximately weekly, more or less often as needed. These will focus on character names, places, plot points, etc. You should read the entire play to prepare for the quiz, except for A Raisin in the Sun (see syllabus), and Hamlet, which is divided into two quizzes.

A.P. multiple choice practice, about twice per quarter

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Welcome     Texts      Policies      Requirements     Third Quarter Schedule        
                                                                              

 

COURSE SCHEDULE

Note: Both sections will have journals due each week, on the second day we meet. All other due dates are the same. (If a due date falls on a drop day, your work is due by the end of the class period when we normally have class, not the end of the day.)

Period 2 will have the same schedule as period 3, but one day later.

Some drop days are not dropped, due usually to vacation. Some are noted here; others I will decide later.

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Family conflict: What causes it? How can families resolve it?
What happens when family conflict gets out of control?

Date

Readings Due Today

Class Activities

Mon
Jan 21

 

No school—Martin Luther King Jr. Day

Tue
Jan 22

 

 

Introduction.

Wed
Jan 23

Read A Raisin in the Sun, Act I.

Journal Due—course goals.
Raisin quiz.

Thur
Jan 24

A Raisin in the Sun, Act II.

Model U.N.
Discuss Raisin.

Fri
Jan 25

Finish A Raisin in the Sun.

Model U.N.
Not a drop day!
Discuss Raisin.

Family conflict, continued, plus…
Deception: Why do people pretend to be what they aren’t? How do people use deception as a coping mechanism? What are the ethics of telling lies?

Date

Readings Due Today

Class Activities

Mon
Jan 28

 

 

Raisin ICE.

Tue Jan
29

Read Hamlet I-III.

Journal Due
Hamlet Quiz (I-III)

Wed
Jan 30

 

Discuss Hamlet.

Thur
Jan 31

 

Writing workshop—Hamlet/Raisin, first essay.

Fri
Feb 1

   

 

Date

Readings Due Today

Class Activities

Mon
Feb 4

 

Discuss Hamlet.

 

Tue
Feb 5

Read Hamlet IV-V.

Journal Due
Hamlet Quiz (IV-V)
Discuss Hamlet.

Wed
Feb 6

 

Discuss Hamlet.

 

Thur
Feb 7

 

A.P. Essay Practice.

Fri
Feb 8

   

Deception continued, plus…
Community, unity, and treason: How can you keep a community united?
What is or is not appropriate in the name of community (or patriotism)?
What role does the government have in setting and enforcing values?
What is the power of public opinion?

Date

Readings Due Today

Class Activities

Mon Feb 11

 

First Essay Due (Raisin or Hamlet)
Not a drop day!
Writing workshop—AP essays

Tue Feb 12

Read The Crucible.

Journal Due
Crucible Quiz
Discuss Crucible.

Wed Feb 13

 

Discuss Crucible.

Thur
Feb 14

 

Discuss Crucible.

Fri
Feb 15

 

No School
President’s Weekend

Deception and family conflict continued…

Date

Readings Due Today

Class Activities

Mon
Feb 18

 

No School
President’s Weekend

Tue Feb 19

Read A Streetcar Named Desire.

Comments Due
Streetcar Quiz
Discuss Streetcar.

Wed Feb 20

 

Journal Due (Self-Evaluation)
Discuss Streetcar.

Thur Feb 21

 

Discuss Streetcar.

Fri
Feb 22

 

Lab: AP multiple choice practice.

Date

Readings Due Today

Class Activities

Mon
Feb 25

 

Writing workshop: independent essay and class play essay.

Tue Feb 26

 

Journal Due
Watch Streetcar.

Wed Feb 27

 

Watch Streetcar.

Thur Feb 28

 

Watch Streetcar.

Fri Mar 1

   

Upper School Musical

Family conflict, and other questions as brought up in class (see journal).

Date

Readings Due Today

Class Activities

Mon Mar 4

 

Independent Essay due.
AP practice essay.

Tue Mar 5

Read Crimes of the Heart.

Journal Due: What question(s) is Crimes asking and answering?
Crimes Quiz
Discuss Crimes.

Wed Mar 6

 

Discuss Crimes.

Thur Mar 7

 

Discuss Crimes.

Fri Mar 8

   

Unity, community, and treason, plus:
Sexual identity: How do we define sexual identity or orientation?
How important is sexual identity in determining one’s overall self-image?
Teachers and children: What moral responsibility do teachers have?
Are children truly innocent?

Date

Readings Due Today

Class Activities

Mon Mar 11

 

Crucible, Streetcar, or Children’s Essay Due.
AP multiple choice practice.

Tue
Mar 12

Read The Children’s Hour.

Journal Due
Children’s Hour Quiz
Discuss Children’s.

Wed
Mar 13

 

Discuss Children’s.
Last day to submit revisions.

Thur
Mar 14

 

Discuss Children’s.

Fri
Mar 15

 

Third Quarter Ends

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